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And Also The Trees 1984 Rar카테고리 없음 2020. 2. 29. 05:44
And Also The Trees 1984 Rarity
It goes without saying that Danielle Dax’s early works are very strange by any measure. The mini-album Jesus Egg That Wept represents her second solo effort after her earlier project, the experimental post-punk of The Lemon Kittens had ground to a halt. A much more coherent effort than the very eccentric Pop Eyes (Initial Records, 1983) that had proceeded it, and as such, constitutes much less of a cautionary tale on the hazards of combining folk & world music with powerful hallucinogens than did its predecessor. Nevertheless, folks hoping for anything approaching mainstream are destined for disappointment here as Danielle subverts New Orleans honky tonk (' Evil Honky Stomp'), 60’s girl bands (' Fortune Cheats'), and middle eastern sounds (' Ostrich') to her own nefarious purposes. Her own very unique contributions are not absent here either with the voodoo / early zombie film evoking ' Pariah' (possibly my own favourite of anything she’s ever done) or the Kate Bush-like ' Hammerheads'.
The album also includes a vastly improved version of “ Here Come the Harvest Buns” originally found on Pop Eyes. The lush cover art is provided by the immaculate Holly Warburton who would go on to illustrate most of Danielle Dax's later work. Plunder the Tombs was started back in 2010 by way of looking back on a musical past that I felt in sore need of curation.It was a strange and sad time when what passed for “Goth” in clubs seemed a pale imitator of what once was, following first a decade of cookie-cutter Sisters of the Nephilim clone bands and then another decade of industrial dance being palmed off to younger audiences as a type of faux goth. When on rare occasion DJs in “Goth” clubs did finally become brave enough to play something like Bauhaus it was not untypical to have the dance floor clear, and it became obvious that the memory, meaning and legacy of much that had gone before had been lost. It’s probably safe to say that the boundaries of what was “Goth” were never clearly defined. An absolute blessing for those bands on the original scene before it had a name pinned to the donkey, but an outright curse for those who came later and found rules had been imposed to dictate that which was and that which was not acceptable. Worse still was to come in the 90s from a lazy and unquestioning media who simply assumed that anything that wore black and make up was by definition “Goth”, thus allowing all manner of pretenders licence, and maximising confusion as to what the term actually referred to.This has gone on for way too long and its time is at an end.
And Also The Trees 1984 Rar Download
Neo Post-Punk bands now proliferate across Europe, old long dead Goth bands rise from their crypts in the UK, and new deathrock bands are breeding like rabbits up the west coast of America. It is time to reclaim our scene back from metal bands and ravers in disguise. Perth, Western Australia, Australia A DJ throughout the 90s at numerous Goth night clubs in Perth including The Cell, Dominion and others he was probably far too drunk to remember, largely as a result of his preference to work for bar tabs over cash.
And Also The Trees 1984 Rare
Also helped found 6RTR fm's Goth & Industrial showcase Darkwings.More recent projects include the currently dormant Descent - a small night dedicated to playing genuinely good Goth music both old and new in preference to packing the dance floor with songs everyone had heard 20 million times before. He currently runs a monthly show on Behind the Mirror on 6RTR fm which can be heard on Wednesdays at 11pm WST.Rumour has it he once masterminded an ill-advised Goth fanzine 'Small Pleasures' that in retrospect, he remains profoundly grateful never made it off his desk.